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UGC · Product films · Static ads · Systems

Ads that pull,
shipped in 2 to 3 days.

UGC testimonials, product films, cinematic brand spots, and the static image ads that run alongside them, built for Meta, Instagram, TikTok and YouTube. Scripted, voiced and cut in-house, which is why testing five angles costs less than filming one.

The work

Watch one, then decide.

UGC testimonials, product films and cinematic spots, cut for Meta, Instagram, TikTok and YouTube. Script to finished vertical ad in 2 to 3 days, made in-house.

Look and feel

Not everything has to look real.

The format decides what the ad does. The look is a separate choice, and it runs on the same pipeline with the same turnaround as everything else.

See the styles
Static ads

Numbers that stop the scroll.

Image creative for Meta: typography baked into the artwork rather than overlaid, and every line of copy checked against ad policy before it renders.

$9.83 to $16.71

CPL our leading concept held in live testing, against roughly $30 to $36 in the same niches.

See the static set
The creative engine

Built to test, not to guess.

Most creative is priced per asset, so you test the two ideas you can afford and hope. Our pipeline is built in-house to kill that math: more angles, every format, sound and language included, in days not weeks.

VOLUME

Test the angle, not your budget.

10 angles · one batch

Creative priced per asset means you test the two ideas you can afford and pray one lands. Winning creative is a volume game you are priced out of playing.

Scripted, voiced and cut in-house, so ten angles cost what a single shoot would. You test into the winner instead of betting on it, then we scale the one that pulls.

See the angles
RANGE

Every format the feed rewards.

UGC · Cinematic · Product · Static

Your UGC creator does not shoot cinematic, your editor does not design statics, and wiring three vendors together is how a launch slips.

UGC testimonials, cinematic brand films, product films and the static image ads that run beside them, all from one team on one pipeline. Photoreal, anime, 3D or claymation is a setting, not a different vendor.

See the looks
SOUND

Ads that hold up with the sound on.

VO · score · foley, baked in

Most AI ads are silent b-roll with a caption pasted over. A real voice, a score, and a product that actually clicks are what turn a scroll into a stop.

Native stereo audio in the same pass as the picture: voiceover, score and foley, plus continuous takes where a presenter talks straight through with no cuts. It sounds made, not stitched.

Hear it
REACH

One presenter, every market.

5 languages · one face

Localizing usually means re-shooting or dubbing, so most brands run English everywhere and eat the CPM in every market that is not home.

The same presenter delivering natively in Spanish, German, French, Japanese and more, or switching languages mid-take without a cut. One creative, every feed you sell into.

See five languages

About

Built in a regulated market.
Engineered for ad performance.

Maikel Slomp spent years doing content and compliance work by hand in a regulated market, the kind where a loose claim gets you fined, not just ignored. Then he automated all of it.

MAD IT is where that rigor points now: ad creative, produced end to end on a pipeline we built ourselves and open-sourced. Video and static ads scripted, voiced, cut and localized in-house, so testing a dozen angles costs less than filming one, and every line clears ad policy before it ships.

How we work

01Brief1-2 days
02Produce2-3 days
03Test & scaleOngoing

Open source

What we publish openly

Beyond client work, we publish the pipeline itself. The ComfyUI workflows our creative runs on are public, and so is the agent tooling we build with.

Contact

Let's talk.

Whether you need ad creative that performs or systems that run your operation without you: send us the brief, or your niche and your current cost per lead. We'd like to hear from you.

info@mad-it.agency

Based in Malta

We work on project-based and retainer engagements.