Short-form ads, built to find your winner.
Scripted, voiced, and edited in-house on an AI-assisted pipeline. We test angles fast, then double down on the creative that actually pulls. Direct-response from the first frame.
That workflow is open source: ltx-faceid-lipsync, along with the rest of our local pipeline tooling.
Three formats. Real samples.
Almost everything below is a finished ad we produced end to end: script, voice, footage, edit, end card. All of it generated in-house. The clips marked single shot in Product Film are exactly that, kept in because they show the raw look.
UGC Avatar
UGCA first-person testimonial delivered by a generated spokesperson. The highest-converting format on social feeds.
- Character + voice
- Testimonial script
- Captions + overlays
Cinematic Storyboard
CinematicFully AI-generated footage, art-directed to one coherent visual world. Premium production feel, no stock look.
- Generated scenes
- Art-directed world
- Score + VO
Product Film
ProductA continuous, scored product film with voiceover. Real-commercial production for DTC brands and launches. The clips marked single shot are exactly that, not finished ads, with their own sound.
- Continuous camera
- Product hero shots
- Score + VO
Pick a look, not just a format.
The format decides what the ad does. The look is a separate choice, and photoreal is only one of them. These run on the same pipeline and the same turnaround as everything above. More styles are in production.
Photoreal
0:19The hardest thing to fake is a face doing something involuntary. Two people, one catching the other's laugh.
Anime
0:20Clean 2D linework and character-driven framing, held from the first frame to the last.
3D character
0:19Feature-style character animation, with cloth, hair and subsurface skin doing the work.
Claymation
0:25Stop-motion look, lit like a physical set. One unbroken take.
Sound that was never added afterwards.
Picture and audio come out of the same pass, so a sound belongs to the frame that made it rather than being laid underneath. Unbroken takes of 10 to 20 seconds, no cuts, no sourced foley. Turn the volume up: muted, these are half of what they are.
Nine takes where the sound is the point
The Forge
About 70 hammer strikes settle into a 62bpm groove on their own. Median gap 0.975s, and it tightens as it goes.
Sound First
A packed stadium turns out to be one television in an empty room. The audio builds 36x to get there.
The Pop-Up
A cut-paper city rising in three tiers, stepped to true stop-motion twos.
The Cut
A steel wire through soap. The audio is the entire product.
The Lake Sings
Crack transients travel in lockstep with the visible crack tip.
2AM
Phone light on a face. The screen is never legible, because the sound says what is on it.
The Canopy
Each crash comes from the branch that visibly moved, receding across the frame.
The Display
A wing-snap you can see the wings make.
The Weather
Rain crossing a valley, heard before it is seen.
We also fix footage that already exists.
Relighting a graded shot, or generating a camera angle that was never filmed. Both are demonstrated before and after on recognisable film footage.
See the post-production demosWe make films, not just ads.
“The Boy Who Sold the World” is an original SUPERTRIPS short-film trailer: written, shot, scored, and cut on our pipeline. No crew, no cameras, no stock. Proof the range runs all the way to longform narrative.
The Vault
Some of what we can do doesn’t belong on a public page: real-person spokespeople, zero content filter, generated entirely on our own machines. The work that proves anything is possible. Drop your email to watch.
Unlock the vault →Every ad: scripted · voiced · captioned · branded end card.
1080×1920 vertical, delivered as MP4.
2 revision rounds included · ~2–3 day turnaround.
Let’s find your winning creative.
Start a test packinfo@mad-it.agency · rates on request · reply within a day